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- #Gopro time lapse assembler 1080p#
- #Gopro time lapse assembler full#
- #Gopro time lapse assembler software#
- #Gopro time lapse assembler trial#
The combination of hardware and software is reportedly capable of producing stereoscopic (over-under) footage up to 8k x 8k (600 Mbit/s bitrate), which should ensure fidelity is up to the challenges posed by 360 filming. GoPro’s Odyssey comprises a rig packed with 16 GoPro Hero Black cameras, capable of capturing footage in stereoscopic 3D, and the film serves as a usual glimpse at the quality the new rig will offer when paired with Google’s Jump assembler pipeline, announced at Google’s I/O conference back in May. We expect to see a 3D version of the footage once YouTube adds support as promised. From stunning cityscape vistas to more intimate landmark scenes, the film demonstrates what a difference being surrounded by such scenes makes to a films power to engage the viewer.Īlthough the Odyssey is capable of capturing stereoscopic spherical video, YouTube only supports monoscopic spherical footage for the time being, so the video above is not 3D. The film is directed by New York born and bred photographer Neil Britto and takes you on an immersive journey exploring his favourite sights throughout the city. Set around New York city, the film puts you at and in various landmarks throughout the area. And, to whet the creative appetites of filmmakers everywhere, GoPro have released this beautiful time-lapse 360 degree film featuring the sights of New York City to demonstrate the new camera’s prowess.įeaturing footage captured in 360 degrees using GoPro’s recently new Odyssey VR camera, set to leverage the stitching pipeline of Google’s ‘Jump’ video assembler, this new short film shows the breathtaking possibilities of cinematic VR as a medium. To test it, I set it up to shoot my commute to and from work.GoPro’s ‘Odyssey’ VR camera camera is on its way with early access being given to selected directors soon.
#Gopro time lapse assembler full#
From there it will go till either the card is full or battery dies. You can pick from 2/5/10/30/60 second shooting increments. The setup is easy once you figure out the menus and gives you nice flexibility in the shooting. I've been wanting to do more time lapse shooting but have been hesitant to wear out my DSLR doing it. This was one of the main features that drew me to it. The first thing I wanted to try was the time lapse shooting of the GoPro.
#Gopro time lapse assembler trial#
Also I can see getting the GoPro LCD bacpac later just to help skip much of the trial and error that goes into finding the right placement. Found attaching it from the inside of the moon roof gives a neat fisheye look at the inside of the Element but the exposure inside blows out the view outside the windows. Tried other locations in the interior but having such a wide field of view makes it challenging to find good points to mount the camera. Luckily the suction cup holds fine just above the center vents and gives the GoPro a good angle over the hood. Press the Mode button (on the side) until you arrive on the Time Lapse mode screen Tap on the Time Lapse Photo icon on the bottom left corner of the touch display to access the sub-menu. Being the low-level OCD person I am, I really can't stand mounting any of the adhesive mounts permanently on the dash. Seeing how well the suction cup mount holds and where it's best mounted in the Element. The main downside is that the price more than doubles when you go from the 16:9 to 16:10 aspect ratios.
#Gopro time lapse assembler 1080p#
1080p screens are fine if you primarily use it for video, but I prefer the extra vertical space of a 1920x1200 screen for applications. I know they have gone this way because it is cheaper for lcd manufacturers to make the same screens for both TV's and computer monitors. My main issue is that while the larger lcd screens have got cheaper, they have consolidated to 1080p resolutions. Being the cheap bastard I am, I hold off on getting better equipment till I can get a really good deal. Once you include things like the menu bar and dock, these 1280x768 screens provide too little working room. Apps like these are really designed to be used on larger resolution screens. I've been wanting to go larger for a while because the smaller screens feel more and more cramped as I use apps like Aperture and iMovie more. I've been using a pair of older 17" Westinghouse lcd's as my primary desktop displays.